a bigger splash metrograph
Hazan creates an improvisatory narrative-nonfiction hybrid featuring Hockney, a wary participant, as well his circle of friends, capturing the agonized end of the lingering affair between Hockney and his muse, an American named Peter Schlesinger. <3. It is both beautiful and real. This is not a documentary, but Jack Hazan constructs his story from film shot from 1971 to ’73, during which time most of Hockney and company seem to have lost all self-consciousness in front of his camera. Image courtesy Metrograph Pictures. In between observational scenes of the day-to-day life of the artist, Hazan interpolates a series of carefully composed visual asides that re-create aspects from Hockney’s paintings with their real-life subjects and settings, as well as sequences staged for hallucinatory eroticism: a full-frontal Hockney showering inside his azure-tiled bathroom; Schlesinger cavorting naked with three other lithe young men in yet another SoCal pool. Consider Pennebaker’s Dont Look Back (1967), which brought viewers on tour with Bob Dylan, or the Maysles’ explosive Rolling Stones concert film, Gimme Shelter (1970). In the second of My Hustler’s two reels, the action moves indoors — specifically, to the bathroom, where the Sugar Plum Fairy (Joe Campbell) performs endless ablutions with Paul, advising him on the finer economic points of his new profession and touching him whenever he can. A Bigger Splash was recently restored and has debuted at New York City’s Metrograph theater in time for the fiftieth anniversary of the Stonewall riots. Despite the compelling beauty of these fiction-bits, the documentary aspect of A Bigger Splash remains central to its effects. Back to the Metrograph. Sign Up: Stay on top of the latest breaking film and TV news! One of the most acute films made about a twentieth-century artist, Jack Hazan’s homoerotic docufiction A Bigger Splash (1974) takes its title from David Hockney’s signature 1967 painting depicting the momentary aftermath of a plunge into a Southern California pool, wherein a plume of displaced water stands frozen near the middle of the canvas, indicating the recent entry of an unseen diver. Circle Jerk: Agitprop, Camp, and Bold Theatricality, Spike Lee Offers Collective Vision, But David Byrne Is the Star, “Martin Eden,” “The Mouth of the Wolf”: A Pair of Seaside Love Stories, With No Candidate On Democratic Line, Cuomo Endorses Incumbent Seawright, Queer Women Vying for Council Nab 21 in ‘21 Endorsements, Biden Takes on LGBTQ Issues, Trump Defends QAnon in Contrasting Town Halls, Nicole Malliotakis’ Dismal Record on LGBTQ Issues, Vandal Chops Up Pride Flag at Manhattan Bakery, Jumaane Williams Declares “State of Crisis” in Anti-Trans Violence, Bigot Spits on Man, Calls Him Anti-LGBTQ Slurs in Manhattan, 32nd Homicide Shatters Record for Trans Murders in a Year, Black Transgender Woman Murdered in Georgia, For Joe Biden, Push Relentlessly Until November 3, Ginsburg’s Successor Should Be Named in January, Strip Qatar’s Homophobic Regime of the 2022 World Cup Now, New York City restaurant workers call on governor for relief plan for the industry, Caribbean Life: Queens Edition: October 23, 2020, Here are a few creative ways to celebrate birthdays and special occasions in New York City. After logging in you can close it and return to this page. “When love goes wrong”: director Jack Hazan captures David Hockney and his early-1970s world. Peter Schlesinger in A Bigger Splash. He’s been brought out to the oceanside paradise by a supercilious older queen played by Ed Hood, who “ordered” the Adonis through Dial-a-Hustler.
To Sleep With Anger Poster, Micro Wiki, Where's Waldo 2020 Game, Kane Brown New Song 2020 Worship, Candice King Wedding New Orleans, It's All Gonna Be Okay Lyrics, Peek-a-boo Song Lyrics Red Velvet, San Diego Fire Today, Satellite View Of California Wildfires, Charizard Card Price,