a brighter summer day true story

Meanwhile, Si'r and Ming meet by chance and become friends. The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 64th Academy Awards but was not nominated.[2]. Looking for a slightly scary movie to watch this Halloween? A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and … A small group of trendy foreigners gets caught up in the action. The settings in every scene have purpose and are crafted with such elegance and care, that it’s hard not to just wonder at how this cinematic marvel was conceived. The true story of Hossain Sabzian, a cinephile who impersonated the director Mohsen Makhmalbaf to convince a family they would star in his so-called new film. », Centre national du cinéma et de l'image animée, https://fr.wikipedia.org/w/index.php?title=A_Brighter_Summer_Day&oldid=174476026, Article avec une section vide ou incomplète, Article contenant un appel à traduction en anglais, Page pointant vers des bases relatives à l'audiovisuel, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence, Le titre international fait référence à la chanson, Deux gangs s'affrontent dans le film : les 217 et les Garçons du Petit Parc. The film places the murder incident in the context of the political environment in Taiwan at that time. Le film sort en DVD/ Blu-ray le 5 décembre 2018 chez Carlotta. (1991). Si'r is not a member of either gang, although he is closer to the Little Park Boys. The refugee status also puts a lot of pressure on the father, as he is suspected of being sympathetic to their enemies’ cause, and even suspicion can result in prison time and torture. Most of the world's viewing audience of films have been spared this kind of personal degradation, and therefore have no personal reference points to connect with such despair, but Yang, to his credit, spares no one. Inspired by a real-life 1961 incident in which a 14-year-old Taiwanese boy murdered his girlfriend in a public park, this ambitious epic is often cited as one of the supreme achievements of director Edward Yang, a Shanghai-born filmmaker (born as Te-Chang Yang) whose family moved to Taiwan when he was a small child. After firing a colleague, the head of a PR company begins to question her lifestyle and values. Sly and the surviving Little Park Boys go into hiding. In most epics, there are parts that tend to drag, or bits that just don’t work as well as others, but not so in this movie. Sly proposes a truce between them and the 217s, and arranges for a concert of Western pop music to be held with members from both gangs. Directed by Edward Yang. What I miss in this movie most is forward narrative momentum. This is a film much like Yang’s other masterpiece, “Yi Yi”, I’m sure I’ll return to multiple times in my life, and get different things out of it every time. The next day, Si'r receives a demerit after lashing out at the doctor, and is expelled after a fit of rage as his father argues with the principal. One of them is Xiao S’ir (Chang Chen), the film’s main character and member of a youth gang that was once led by his absent older brother, Honey (Lin Hung-Ming). The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 64th Academy Awards but was not nominated. « L’évocation de la Terreur blanche atteint une puissance abstraite, fantastique, plus proche de Kafka que de la chronique factuelle. To call this film an epic is an understatement, but it is in every aspect of the word. The same night, Si'r's father is arrested by secret police and questioned over his past, but is eventually freed, though he is fired as a result. This upsets his father, a career government worker, who is aware of the delinquency rampant among night school students and worries that it will affect Si'r. This FAQ is empty. The Little Park Boys are led by Honey, who is currently hiding from police after killing one of the 217s over his girlfriend, Ming. A Brighter Summer Day. The night before the concert, Honey meets with Si'r, who he has taken a liking to, and "bequeaths" Ming to him, believing him to be a stable boyfriend. Two melancholy Hong Kong policemen fall in love: one with a mysterious female underworld figure, the other with a beautiful and ethereal server at a late-night restaurant he frequents. When I can gear down to Yang's deliberate way of letting scenes develop (reminiscent of Fellini and Antonioni in the '60s and after) I can see there is a lot to admire—in the way it is set up and shot and in the performances, which are an intriguing mix of the theatrical and the seemingly improvised, with all the young players and their natural high spirits. One is a successful concert pianist just back from a European tour and the other has just started a new business. This film has everything: a love story, betrayals, humor, revelations, life lessons, murder, intrigue, huge and diverse sets, incredible cinematography, memorable major and minor characters; but not only that, Yang comments on the political climate of Taiwan at the time this story takes place, he makes observation on the difficulties of growing up and finding your place in the world, he has insights on fragility of adolescent friendships and the difficulties of parenthood, and he talks with ease about the feeling of detachment that comes with youth. As she sobs into it, the radio starts to broadcast another list of distinguished students, mirroring the opening of the film. The English title is derived from the lyrics of Elvis Presley's "Are You Lonesome Tonight?". Their children were brought up in an uneasy atmosphere created by the parents' own uncertainty about the future. However, she reveals to him her flirtations with other boys, including a much older doctor, which bothers Si'r. Three different versions of the film were edited: the original 237 minute version, a three-hour version and a shorter 127 minute version. The gang leader and girlfriend are involved in the conflict between gangs of children of formerly-mainland families and those of Taiwanese families. This film really feels like two different movies, almost divided directly down the middle as a lighter film and a darker one. Although they live together, Ah-chin is weary of Lung's past liaison with another girl. Based on a true story, primarily on a conflict between two youth gangs, a 14-year-old boy's girlfriend conflicts with the head of one gang for an unclear reason, until finally the conflict comes to a violent climax. Yang used the film Goodfellas as the model of a gangster movie. Their children were brought up in an uneasy atmosphere created by the parents' own uncertainty about the future. Caught by a guard in the rafters, they steal his flashlight and flee the studio, returning to their school. An arrogant Honey appears outside of the concert hall, antagonizing the rival gang. The film's political background is introduced in intertitles thus: Millions of Mainland Chinese fled to Taiwan with the National Government after its civil war defeat by the Chinese Communists in 1949. One half of the film lives up to its title; it feels warm and sunny and fun.

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