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Was this review helpful to you? The New York Times described the film The plot of the movie goes back to a similar outing the writer Sunil Gangopadhyay took in the early days of his poetic career. The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature. The four introduce themselves to this family and in the midst of the forest, the two urban groups of people are almost relieved to find someone from their part of society. She also holds up a mirror to urban insensitivity by pointing out to Asim how despite having spent three days at the rest house, they never bothered to find out how grievously ailing was the chowkidar's wife. While returning to their rest house, they stumble upon a car which they shout at without realizing it as the car of Aparna. They play a memory game where each participant has to add a name to a chain of names of famous people, after repeating all the names in correct sequence. At night the four friends go to drink alcohol again in the country liquor house. Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman. Jonathan Rosenbaum, in his list of '1000 ESSENTIAL FILMS', kept this film as his 2nd favourite film released in 1970. Sekhar (Robi Ghosh) is self-confident and comical. (1970). The inhibited Sanjoy does not dare to respond to Jaya’s bold seduction while Aparna leaves Asim after giving him her address – perhaps a promise of love. Although the women appear not too interested at first, things change, and they all begin to spend time together. Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls. Ray described the film to Marie Seton in a letter, “The first half has the appearance of a light comedy but there’s a steady modulation to a serious key.” It starts as a spree and ends up changing lives of three of the men. View production, box office, & company info. The strain of the situation ultimately causes him to hallucinate. The following morning, while debating whether to shave or not, they spot some other women from Calcutta, they locate the women’s cottage and introduce themselves to the family. Ray excells himself in this wonderfully sensitive rites-of-passage film. They find a packet of food lying outside their rooms and go to Aparna's house to return it. [2] A sequel Abar Aranye directed by Goutam Ghose was released in 2003. Add the first question. The journey into the forest turns out to be a journey of self-discovery. Hari makes love with Duli, the servant Lakha ambushes him in revenge. When they get to the forest, they meet up with another group and spend their time flirting with women. The picnic scene where the girls suggest they all play a literary game is replete with poignantly repressed sexuality. The tensions peak at the village fair where the four friends go their own way. Well it's more than that. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community. When they get to the forest, they meet up with another group and spend their time flirting with women. Days and Nights in the Forest En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams and past experiences. A classic of world cinema by one of the cinema's greatest directors, it deserves much greater recognition. Hari is upset because he cannot see Duli (Simi Garewal) whom he had met previous night. The game reaches a crescendo, with only Asim and Aparna left in the fray, at which point Aparna pulls out, deliberately handing victory to Asim, who seems to have placed his entire confidence at stake on the win. A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head out for a weekend in the wilderness. This FAQ is empty. Written by That does not prevent an extraordinary sexual chemistry from developing which is all the more vivid for being understated and unspoken. Chatterji is an ambitious and self-made young man who becomes the director of the company he works for. The group is led by Asim (Soumitra Chatterjee), the richest of the four. Shekhar goes off to gamble with money borrowed from his friends. Asim flirts with Aparna and coaxes her to show her room. A young woman is deemed a goddess when her father-in-law, a rich feudal land-lord, has a dream envisioning her as an avatar of Kali. After watching the movie Pauline Kael in the 'New Yorker' felt that "Satyajit Ray’s films can give rise to a more complex feeling of happiness in me than the work of any other director.... No artist has done more than Ray to make us reevaluate the commonplace." ... every word and gesture is recognizable, comprehensible, true ... Ray's work at its best, like this, has an extraordinary rightness in every aspect of its selection and presentation - the timing, performance, cutting, music - which seem to place it beyond discussion. Aparna reveals her more vulnerable side that lies behind her composed exterior. Certificate: Passed It was one of the earliest films to employ the literary technique of the carnivalesque. Hari (Samit Bhanja), a frank and straightforward cricketer, wants to forget the girl who dumped him. Sanjoy, held back by his middle class moralities, is unable to draw up courage to respond to Jaya's bold advances. Hari takes Duli into the forest and makes love to her. After some confusion about their accommodation they find themselves staying near to two respectable young women of good family who stimulate their interest. A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head … A young college graduate is struggling to find a job. 115 min, B/W, In Bengali with subtitles. Later he walks back on the lonely village road, lost in his own thoughts as twilight melts into darkness. Shekhar (Rabi Ghosh) is the jester of the party, the only one without a job.

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