23 October 2020,
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And yet, in the hands of co-creator/showrunner Ali LeRoi, the show aimed to be much more than simply the comedian’s stage work reformatted into TV storylines. I wish they had had the balls to make more. comes the end of an era of good, solid, high-quality original Netflix programming, sadly enough. Topeher Grace2. show and I would highly recommend it to anyone. Consistency is what fuels Brooklyn Nine-Nine’s motor, but the characters are the ones steering the ship. I don't know if Romano is actually this unfunny in his stand up, or if the character of Ray Barone was just written this way, but either way he's awful! When Ron Howard left after seven seasons (gone off to the army), Fonzie carried the series on his leather-jacket-clad shoulders.—Josh Jackson, Years: 1982-1990 It has great characters: Mr. Fawlty is brilliant. The Best Sitcoms of All Time. Each episode is punctuated by two or three songs which range from “very good” to “classic”—the hits If You’re Into it and Hiphopopotamus vs. Rhymoceros are two terrific examples of the latter. Amazing show! Savvy businesswoman, devoted mother, talented actress, comedic delight, full of wit, grace, and beauty.She had it all! For several reasons, in my opinion, one, Hilarious (plus it being dated now, makes it even more fun). As a newswoman with a penchant for firing her secretaries, Brown was her generation’s Mary Richards. Significantly more influential than one would have expected from a Beavis and Butt-head spin-off, Daria is without a doubt the defining show of angsty teens of the late ’90s who couldn’t quite get over the death of grunge. The low-rent, blue-collar, brewery-working buddies began their TV lives as friends of the Fonz. Everyone watched Friends. Putting together a list like this is always equal parts painful and enjoyable for editors and writers, but I can’t think of a better time to look back on the greatest sitcoms of all time. I died laughing from episode one til the last. The rest of the ensemble is amazing as well. Throw in some fine supporting work by Art Carney and Joyce Randolph as next door neighbors Ed and Trixie Norton, and the perfect formula was built for scripts that mixed acidic banter, slapstick, and lots of mugging. Suffice to say, it succeeded.—Sean Gandert, Years: 1984-1992 Even better was the repartee Newhart had with his TV wife, played winningly by Suzanne Pleshette. Tia and Tamera Mowry played pre-teen twin sisters who were separated at birth, but discover each other—while shopping at a mall, obviously. Why did it make me cry, because it tapped into my own experiences (as I'm sure it did for millions of others). Newhart featured career work from Tom Poston, Julia Duffy and Peter Scolari, and its remote Vermont setting lead to the creation of three of the most memorable breakout sitcom characters of the 1980s: Larry, his brother Darryl, and his other brother Darryl. Love every single person in this show there so incredibly awesome. high on the list of best sitcoms of all time. I didn't really like this show when it first came on. Whether it be from a perfectly written and performed joke or an incredibly sentimental performance, which all characters are capable of. When NBC canceled the show, ABC was confident enough to pick it up for two more (laborious, unwatchable) seasons. This epic friendship is instantaneously contagious, and the brilliant plots, centered on the two twenty-somethings scraping by in New York City, makes this one of the great, most promising new-ish series.—Ross Bonaime and Hudson Hongo, Years: 2005-2009 RELATED: Tuca & Bertie Season 2 Saved From Netflix Cancellation By Adult Swim. How is this show only #8? Along the way, Capt. Spearheading the series was Archie Bunker, the cantankerous, crusty and altogether racist working man who, in the hands of actor Carroll O’ Connor, became one of TV comedy’s greatest creations and a beacon for both liberals and conservatives alike (those on the right were convinced he was espousing their values, while those on the left viewed him as a caricature of old world sentiments). blazes into the list of the best sitcoms of all time (according to IMDb) despite having ended only five years ago. as well as the longest-running American scripted primetime television series. He’s a goofy frat bro who just happens to be attracted to men, and that’s just one of the ways Happy Endings managed to subvert the standard sitcom formula, while still adhering to it.—Bonnie Stiernberg, Years: 2007-present Big Bang Theory is the last of the blockbuster sitcoms. And on Father's Day he gave me a tattoo of Andy and Opie walking down the dirt path to the lake. Set in direct opposition to the dominance of NBC’s “Must See TV” block on Thursday nights, Martin became a counterbalance, a story set in urban Detroit with a largely black cast. All of the episodes of Fawlty Towers are tight and hilarious. The result is a show that is fun to watch, emotionally satisfying and thought provoking. I have seen every episode at least three times, and even though it went down hill by the fifth season I still loved every second of it. If it had a laugh track it would've just been going for an obnoxiously long time, but without one it's 101% better. Judd Apatow’s follow-up to Freaks and Geeks was unfortunately similarly doomed to last just one season, but Undeclared’s 17 episodes still manage to cram in a healthy amount of heart, hilarity and strong guest-stars. Although it was similar in its satirical lampooning of modern (or futuristic) daily life and media, it was also capable of being surprisingly—even shockingly—emotional at times. Every show that came up after married with children has to live up to it but they'll never be able to! Though this HBO sitcom does a great job skewering the doublespeak and hyper-positivity of the tech world, Silicon Valley shines the brightest when the antisocial misfits of startup Pied Piper find themselves in more and more ridiculous situations. I'm writing to you from the afterlife. She eventually settled and filmed three final episodes under the stipulation that she wouldn’t appear in any scenes with Lawrence, which certainly sounds like it must have been awkward to witness.—Jim Vorel, Years: 1994-2004 It might seem premature to put The Carmichael Show on this list. It has more in common with the best work of Adam McKay and Will Ferrell, but it’s darker and edgier than Stepbrothers or Talladega Nights, more violent and more truthful. A very funny show with charlie sheen but the show was finished when he got fired. Really, though, the show was a two-hander, relying just as much on the underrated Demond Wilson, who played the progressive straight man to Foxx’s childish firebrand with perfect comedic timing. Arrested Development took self-referencing postmodernism to an absurdist extreme, jumping shark after shark, but that was the point. I own the whole series and it was well worth the investment and has paid for itself many times over.Carol Burnett, another beloved comedy legend, has cited Lucy as her biggest inspiration. It is the most culturally relevant sitcom ever created. Starring Jemaine Clement and Bret McKenzie, the show is the story of an awful two-man band from New Zealand who have an incompetent manager (the wonderful Rhys Darby as Murray Hewitt) and literally one fan (the hilarious, obsessive Kristen Schaal) as they try to make it big in New York. I would watch this show all time ! There are so many times when we are taught a lesson in morals and ethics, whether it is by Andy, Barney, and most of the time (like right now as I'm watching) by little Opie. It is and will always be the best Sitcom ever. The South Park of the 1990s was quite a different show from the one it grew into over the years. Topping things off as the highest-rated sitcom of all time is Rick and Morty. “Consistency” might not be the most flattering virtue you can ascribe to a sitcom, but consistency is a big part of Brooklyn Nine-Nine’s greatness. I'm a guy and this is one of the only shows that's every made me cry, and its made me cry plenty of times. You will be hooked. Truly,... yes... "legendary". I consider Ricky Gervais’ version of The Office to be a perfect sitcom for the way it balances cynicism and sentimentality. They also do a wonderful job of making "the little things" like a coworker relationship seem so monumental. The show is enormously diverse in terms of not only gender and ethnicity, but also in terms of comic styles: There’s career sad sack Joe Lo Truglio, the stoically hilarious Andre Braugher, king of the clowns Andy Samberg, master of badassery Stephanie Beatriz, and that only covers a little less than half the team. Norm-isms & Cliffy... You can't beat the bar where EVERYBODY KNOWS YOUR NAME! Okay it's not Two and a Half Men without Charlie Sheen. Whatever class issues, or race issues, or gender and sexuality issues Sex and the City might have swept under the rug (or addressed in an off-putting way), it still functioned as a loud, oft-obscene call for agency among the marginalized. Futurama is hands down the best cartoon ever. Better than most sitcoms in top 10 because it was a new thing every time unlike shows such as Everybody Loved Raymond which got repetitive.

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