david michôd
© 2020 The Hollywood Reporter So, I can’t claim not to have seen “The Battle of the Bastards,” but I can claim, in all honesty, to have had no idea that I was basically ripping that shot off. About Our Ads This was mainly the opportunity to work with David and to work on material that had historical weight but felt like there was gonna be a new take on it in some way. How did this become so crucial to the film? That many moving parts and that much chaos, everything immediately starts changing, but you can always fall back on the prep that you’ve done. Is that what you meant when you say this movie was “not evident”? CHALAMET: Oh, it was enormous. Directed by: David Michod and Warwick Thornton The Rover. You have all contributed to Porchlight’s success and longevity. 1:00 PM PDT 6/16/2020 From left, actor Guy Pearce, director David Michod and actor Robert Pattinson at the 67th Cannes international film festival. The Shakespeare text, that had been written to be presented on an Elizabethan stage, didn’t really lend themselves to [that].
MICHÔD: Shakespeare was where it began because Joel was the one who brought the idea to me. “Uneasy lies the head that wears a crown.”. The King is the newest film from director David Michôd (Animal Kingdom, The Rover, and War Machine). Like Timmy, I don’t want to do the obvious next thing and I think it makes getting a handle on what my thing is maybe a little bit difficult because I feel myself falling asleep doing the same thing again. Although he’s open to working with other streamers, Michôd spoke highly of Netflix, which he said “came to (him) as a blessing” when he and Brad Pitt were trying to find a way to get “War Machine” made. I weirdly put myself through the bizarre experience of watching the final episode. FACEBOOK I just want to work on anything good and that’s the truth. Although the common thread among Michôd’s wide-ranging film credits may seem difficult to decipher, he says they’re all “on a broad level about the things that frighten (him), the machinations of people.”, “I’m positive that it will be the case for all my movies,” said the Australian filmmaker. We wanted to make a piece of raw and real-ish cinema. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Vincent Sheehan and Watts will continue to work on individual projects currently in development, with Anita Sheehan, who has been managing director of Porchlight since 2015, leaving to pursue other opportunities after a short break. You want to forget all the work you’ve done, but every now and then you need to get back to center. Family-friendly Halloween films for boos big and small, Catherine of Aragon is a badass and other, See Jennifer Hudson as Aretha Franklin in new, Jennifer Hudson dazzles in portraits from EW's cover shoot. | Cookie Settings.
The Hollywood Reporter, LLC is a subsidiary of Prometheus Global Media, LLC. Again, it’s that point of pride where it’s about what it’s about.
That has contemporary allegories what with leaders we have today who should have no business leading countries, but also for young people. Did you have any guiding principles in terms of differentiating your version of Henry versus Shakespeare or historical depictions? I want to ask you guys about the big battle scene [The Battle of Agincourt]. ", Added long-time collaborator Michôd: "I feel incredibly lucky to have been taken into the Porchlight family. CHALAMET: It was very challenging. It was a strange movie and it felt to us like radical and we loved the idea of taking it to Netflix,” said Michôd. It makes me wonder if the studios will be more willing to take more risks” on daring movies going forward. Was that at all an influence? Sitting in a Manhattan hotel, Chalamet and Michôd discuss the actor’s latest transformation.
MICHÔD: Absolutely.
Weirdly, I am that person who has not watched [a lot of] Game of Thrones. Getting out to England well in advance, getting in touch with the plays, and trying to commit the architecture of those plays to heart, trying to get the physicality right for the character, trying to put on some weight, not to the point where — it probably wouldn’t have been possible anyway — the idea wasn’t that Henry was kicking ass but rather he could survive and that the act of valor comes in his presence in the battle.
March 2016. MICHÔD: No. Entertainment Weekly may receive compensation for some links to products and services on this website.
The King is currently playing in select theaters. How is this gonna be a real thing? You’d think someone, somewhere along the line when we were finishing the movie would’ve said, “Hey, just so you know…”. He, in turn, was looking to do something different, less expected, and to do something with Michôd. MPAA Rating: R (Restricted) | Closed Caption.
That could be TV, that could be musicals, that could be miniseries, that could be movies. 10 funny mockumentaries to remind us about the absurdity of life, Timothée Chalamet takes the throne in Netflix’s blood-and-mud drama, Timothée Chalamet is a brooding royal in first trailer for. Why is this happening?” asked the helmer. Yet, that line is never uttered in The King. Then, hanging out with Joel a lot, Sean Harris, and trying to build those relationships by way of experience, and then just spending time in London, obviously, way past the period this film takes place just to be out there and being where it takes place. TIMOTHÉE CHALAMET: It might’ve been the first time I saw a stunt video, a rehearsal we had done for the Hotspur fight and not even with Tommy Glynn-Carney [who plays Henry Percy Hotspur] but a stunt guy. You can draw a parallel to the climate crisis we have in the world now where they are thrust into a circumstance that is way beyond what is management, not to be cynical but affectable.
CHALAMET: It depends. EMAIL ME. “We are indebted to our many brilliant and talented colleagues for their incredible contributions to Porchlight Films’ productions," said the trio.
Having said that, I did watch “The Battle of the Bastards” really early on when I was way deep in preproduction when we were trying to work out how to achieve the battle.
DAVID MICHÔD: I’ve made two movies with Netflix now [after 2017’s War Machine] and I really love doing it because they make the kinds of movies that I love, just properly resourced movies for grownups. DAVID MICHÔD: I’ve made two movies with Netflix now [after 2017’s War Machine] and I really love doing it because they make the kinds of movies that I … There’s really only one existing portrait of Henry V. It’s a famous bowl haircut. David, I know there was a little bit of Shakespearian source material and then you built upon the story. Also, it’s not like Shakespeare was a rigorously authentic historian. The surrounding areas we got to shoot in are really such a treat because basically nothing shoots out there probably because it probably would’ve been too expensive to shoot out there for some reason. You prep the thing to within an inch of its life. Was it the hair? Variety and the Flying V logos are trademarks of Variety Media, LLC. It felt important to me that the transformation be visible and stark. by MICHÔD: Yeah. But, also for me, knowing that I was casting Timmy Chalamet, whose performance in Call Me By Your Name I had fallen in love with, it felt incredibly important that he undergo a transformation, that the character transform both internally and externally. 2.8 out of 5 stars 1,309. You’ve done the work. Michôd, who lives most of the time in Australia and has a house in L.A., pointed out however that “The Joker” could be a game-changer for studios and encourage them to take more risks.
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