23 October 2020,
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In that sense, 'Paradise' might be perfect. Each Jack Harlow project, then, is a release of tension. Pressing play on his music, though, we see that the young man is far from self-serious, but not in a way that suggests a sophomoric overcorrection. The video is tight, too. “VACATE” features Taylor with several verses. His voice is unrecognizable here, and his personal lyrics are memorable. The function of Loose is to get closer to “the fire” as he so described during our interview. Loose is not his opus, of course, and it absolutely shouldn’t be. R&B Harlow might be his next venture, it might not, but “VACATE” remains a worthy show of his music’s present and future. A smooth beat full of rattling hi-hats, thumping bass and conventional trap effects adds a lot of detail. It’s sputtering and jockish, and when Harlow gives into his pleasures he makes the plain or juvenile sound endearing. Change ). It’s a surprising but welcomed ending that shows off how good Jack can sound when he puts effort into his delivery. While Jack sounds cool on this track, and the airy synths along with hectic hi-hats sound solid there isn’t anything dynamic about this track. Jack Harlow is a cat, yes, but Loose exists mid-pounce. Harlow is transportive in the same way as, say, Wiki. Jack Harlow has swagger, this we’ve known to be true, but on Loose, he sounds more confident than ever. Enjoyability does not always equal closure. The project concludes with listeners enthralled, but ultimately waiting to see how he sticks the landing. We get the energy and community of a DIY affair, with the polish of a major-label budget. In late 2017, Harlow said CyHi The Prynce gave him the cure to writer’s block (“Dark Knight”) and on Loose, the duo come together for an equal parts cutting and sultry high point: “DRIP DROP.” Really, the track is everything Jack Harlow excels at: tricking flows, fastidious aura, relatability, bad-boy status, and breath control. © 2020 The DJ Booth LLC. Jack Harlow, pseudonimo di Jackman Thomas Harlow (Louisville, 13 marzo 1998), è un rapper statunitense “TOO MUCH” is a more developed attempt at avant-garde auto-crooning, but falls into a similar trap as “CAN’T CALL IT.”. Jack’s flow is quick and punchy, his delivery being dynamic. Where Wiki takes me to the ricket of the L train, Jack Harlow brings me back to hazy basements and musty couches. The bird calls and ad-libs give “PICKYOURPHONEUP” a fresh coat of whimsy, tempered by Harlow’s lax delivery. 2forwOyNE’s verse doesn’t add anything special but continues the similar smooth style Jack brings. On Loose Jack Harlow makes the unfortunate mistake that rappers going for an effortless sound sometimes make. Harlow does not skate over this beat, he barely touches it. Some higher pitched chords bring a bit of a different sound occasionally, but Jack’s monotone flow with the bass heavy beat makes this song drag way more than it should. Change ), You are commenting using your Google account. The lead single for the project showcases Jack Harlow in his pocket as a rapper who can knead down a beat with a wavy and punctuated flow. He tries to play an unemotional vibe here as he boringly states “I can’t have no cuddles with you now” that come across as insincere. The singing is somewhere between all-terse and all-silk, which makes for an endearing listen. He’s managed to create a confident, effortless vibe through his delivery and catchy lyrics with trendy SoundCloud like production. Find album reviews, stream songs, credits and award information for Loose - Jack Harlow on AllMusic He’s really trying with his voice here, and it shows. The concluding track “TOO MUCH” has Jack going full on with the singing. Features from 2forwOyNE and Taylor, with 2forwOyNE also handling a majority of the production on Loose, make the project a family affair. Where “VACATE,” for all its near-romantic posturing, could not close the project, “TOO MUCH” just falls shy of a satisfying ending. Jack Harlow continues forging his identity on his Atlantic debut. Jack Harlow’s flow on “HEY BIG HEAD” is breathless and lively. The repetitive “SYLVIA” has Jack talking about the type of girls he likes, with a similar singing rapping flow. On the flip side, it’s when he’s energetic with his delivery or puts in effort through passionate singing when he truly shines and stands out as a worthwhile artist to listen to. It comes across as intentionally laid back opposed to some other songs where his monotonous flow sounds like a failed attempt at being smooth. The heavier synths work well with the banging claps, and Harlow’s natural sounding rhyming adds to the ease of his style. The goal of the debut album: to distill your musical identity. On the hook he sings some of the lines which sound great, and the addition of faint pianos towards the end of the song brings some detail. Loose borrows the teetering fun of Gazebo’s best tracks—“Routine,” “Detox,” “Dark Knight”—and turns them into 40 minutes of skittering through a Louisville summer. ( Log Out /  The change of pace in style still brings smoothness through lighter production and Harlow’s smooth flow. The boring “9TH GRADE” goes back to Jack replacing monotonous delivery with smoothness. Original material is licensed under a Creative Commons License permitting non-commercial sharing with attribution.

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