jazz instruments

[25] The Chicago Style was developed by white musicians such as Eddie Condon, Bud Freeman, Jimmy McPartland, and Dave Tough. In 2014 drummer Billy Hart said that "Coleman has quietly influenced the whole jazz musical world," and is the "next logical step" after Charlie Parker, John Coltrane, and Ornette Coleman.

[155] On the version recorded on Miles Smiles by Miles Davis, the bass switches to a 44 tresillo figure at 2:20.

In contrast to Davis' earlier work with hard bop and its complex chord progression and improvisation, Kind of Blue was composed as a series of modal sketches in which the musicians were given scales that defined the parameters of their improvisation and style.

Prior to his death in 1974 in response to contacts from Grace Cathedral in San Francisco, Duke Ellington wrote three Sacred Concerts: 1965 - A Concert of Sacred Music; 1968 - Second Sacred Concert; 1973 - Third Sacred Concert. [15] Traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal.
Beginning in 1914, Creole and African-American musicians played in vaudeville shows which carried jazz to cities in the northern and western parts of the U.S.[76], In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band.

Instead, I argue that smooth jazz is a long-lived musical style that merits multi-disciplinary analyses of its origins, critical dialogues, performance practice, and reception. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion.

For example, on a 1959 live Tjader recording of "A Night in Tunisia", pianist Vince Guaraldi soloed through the entire form over an authentic mambo.[148]. Andy Gonzalez interviewed by Larry Birnbaum. The group's evolution can be traced through the recordings The John Coltrane Quartet Plays, Living Space and Transition (both June 1965), New Thing at Newport (July 1965), Sun Ship (August 1965), and First Meditations (September 1965). [4] Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. In 2015, Kendrick Lamar released his third studio album, To Pimp a Butterfly. Armstrong's solos went well beyond the theme-improvisation concept and extemporized on chords, rather than melodies. Espie Estrella is a lyricist, songwriter, and member of the Nashville Songwriters Association International. The most prominent form of sacred and liturgical jazz is the jazz mass. In general, smooth jazz is downtempo (the most widely played tracks are of 90–105 beats per minute), and has a lead melody-playing instrument (saxophone, especially soprano and tenor, and legato electric guitar are popular). "... circular and highly complex polymetric patterns which preserve their danceable character of popular Funk-rhythms despite their internal complexity and asymmetries ..." (Musicologist and musician Ekkehard Jost. A series of recordings with the Classic Quartet in the first half of 1965 show Coltrane's playing becoming increasingly abstract, with greater incorporation of devices like multiphonics, utilization of overtones, and playing in the altissimo register, as well as a mutated return to Coltrane's sheets of sound.


Ragtime appeared as sheet music, popularized by African-American musicians such as the entertainer Ernest Hogan, whose hit songs appeared in 1895. Thereafter jazz became an important element in many leading dance orchestras, and jazz instrumentalists became numerous. After recording with the quartet over the next few months, Coltrane invited Pharoah Sanders to join the band in September 1965.

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