millennium mambo review

but it also makes sense that i just can't my eyes off her T_T - she was one of my first childhood crushes after all! 3 Min Read. A dark side to it. This extraordinary work of cinematic art is among the most sublime, compelling and beautifully crafted films to grace the big screen. The film is narrated by the main character (Vicky), roughly 10 years after the events, but with a different tone than what we see in action, which shows her maturity, and an adult look at her old choices, of a lifetime of decay and vices, but that choice sometimes cuts the surprise of what we will see next, becoming predictable. You see the problem with this film is not that it is bad, but the problem is that it could have been much shorter. That said, Hou's films are among the most artful, innovative, breathtaking, and purely cinematic (in the absolute best sense of the word) made today, and Millennium Mambo is certainly no exception. Hou enhances this addiciton-to-the-moment with a voice-over that takes place in 2010, giving away plot points before they happen on-screen; since narrative convention no longer matters, the result is an even more intense experience of the moment tied in with an odd sensation of retrospection (no one messes around with the concept of history more than Hou). In a sense, Millennium Mambo is a mildly prurient portrait of Shu moving, drinking, smoking, and changing clothes -- it's analogous to one of Andy Warhol's Edie Sedgwick films, but without the existential drama. this movie may tell a story, have a deeper meaning or just amaze those that are interested in movies with Asian people taking drugs. Vicky visits Yubari in Japan, when Jack has to go and take care of some Millenium Mambo is a beautiful movie and a nice reflection on losing youth. 3 Min Read. I felt as if I had experienced, or re-experienced through memory, events causing one to give in to hopelessness; to accept being dominated by another. Metacritic Reviews. Thirdly, the soundtrack, with its hypnotic beat and mix of high-pitched, eerie sounds, matched the repetition of events played out on the screen. That is the view of parents whose adolescent refuses to talk to them: who can understand these kids? Many people didn't and I really understand why : it's a very slow movie. bar owner. I saw this movie at Vancouver International Film Festival. This film is made in the slow style recalling some of the naturalistic elements of the new wave, or all the many moviemakers who have tried to copy such. For some reason it doesn't remotely fill the screen on any device. From here we are taken further back to various points in their relationship. • It is this constant sense of hopelessness, with no comic relief or side story to lift the weight of the mood, that causes the audience to experience the spell she is remembering. In this way, it is a well-constructed aesthetic that is worth be lived. One of the first glimpses into Vicky¡¯s life with Ah Hao is at a time in their relationship when she has already given up. Shu Qi is an incredible, incredible magnetic actor. Check your inbox or spam folder to confirm your subscription. This is one of the saddest, most depressing films I've seen in a few years. well for the narrative, as it induces it with a sense of nostalgia. But it is much more a coming-of-age story, told in a melancholy mood from a future perspective, mourning and accepting all the hardships it took. The world's greatest director is a time-junkie... Vicky describes this period of time as being hypnotized or under a spell...HHH is successful in casting that spell on his audience. Three years after “Flowers of Shanghai”, Hou Hsiao-hsen released “Millennium Mambo”, a film that signaled another change in his themes, as it deals with the life of youths in contemporary Taiwan. Reviews • Taiwanese Reviews Film Review: Millennium Mambo (2001) by Hou Hsiao-hsen. To me, I just kept waiting for something, anything, to happen- which it didn't EVER! Slow paced but captivating in an odd way. A ravishing film of urban youth set adrift in the bars and clubs of an ethereally beautiful contemporary Taipei. As typical of a HHH movie showing, some audiences walked out, which means it is slow-paced. “Millenium Mambo” inaugurated his collaborations with Shu Qi, who played the protagonist roles in most of his later works. This wonderful film clings to my mind since I've seen it. ah, but how can i forget to mention the film's totally unexpected and totally ingenious meta-narrative? not to mention great moments of 'back-and-forth' between scenes, or between long-takes: at one point, Vicky walks out of the apartment she shares with Hao-Hao in one memory, and then immediately re-enters the same apartment into a different memory. Generally speaking, people don't just casually walk into one of Hou's films; chances are, if you go and see one, you already know basically what to expect -- which is, more or less, the polar opposite of Hollywood-style filmmaking. In retrospect, Vicky describes this period of time as being hypnotized or under a spell. The movie is gorgeous and lyrical but the VOD version here on Amazon needs some serious work. We get to see a few episodes of her life, how she starts out with an abusive and jealous boyfriend and how she manages to leave him for Jack, a criminal that offers stability. Shu Qi brings a credible portrayal to a not-so-interesting character. The whole scene seems surreal, sending subtle signals: maybe the story in the movie is just symbolic, like in a medieval morality. and there were, of course, certain moments that carry the signature techniques of Wong Kar Wai - techniques that were certainly not signature of Hou Hsiao-Hsien: slow-mo, slow-shutter-speed/losing frames, not to mention the ultimate WKW stamp of signature - the head-leaning-on-shoulder-in-a-car-quite-melancholically-but-not-necesarily-romantically-but-just-kinda-ambiguously-amorously. about Shu Qi, she gives a wonderful performance, in perfect resonance with the She appears to us at the beginning at the film, walking in a very long corridor, in a slow motion and on pop music. It's a very good movie although fascination is something very personal. But, it is a different form of expressing a history, more similar to how we, in real life, observe the life of other people. This scene haunts me to the present day (and I've seen the film in 2001) and is in my opinion just visually/technically stunning.

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