23 October 2020,
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There has been some degree of thought and care put into it, especially when it comes to the themes Cronenberg wants to place front and centre.

It’s in, out, and done before the viewer knows it, which would be fine for a film built on dumb theatricality, but not so great when a filmmaker is trying to make something smart and artful. The effort is appreciated, even if. Although every scene of Cronenberg’s latest looks elegantly composed (even at its bloodiest) and the leads are well suited to the filmmaker’s icy stylistic choices, is a rather empty film to sit through.
Both of the main characters have well structured arcs built around their secret desires for love and acceptance. 6.3 Streaming Guide Movies Science Fiction. 2020 6.3 Streamers Information 6.3 72 Runtime: 1m …

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is professionally made to high aesthetic standards, suitably transgressive, and detached without being altogether emotionless. Watch Possessor. Cronenberg’s passion for composition is so great that it almost makes up for his comparatively passionless script. leaves not so much as a trace on the mind of the viewer. It’s been a fun, creative journey to incorporate things like 3D graphics into a live-action shoot to help bring this story to life.". watch online Watch Possessor. So much of Tasya's character is about her relationship to her work and her relationship to that violence... in a film where bodies are so important and her relationship with violence is so important, I felt it was very much appropriate," Cronenberg said at Sundance (where the movie premiered) last year. Both of the main characters have well structured arcs built around their secret desires for love and acceptance.

Although it looks like the sort of refined and “elevated” horror that’s all the rage at the moment, Cronenberg’s latest doesn’t shock or excite with its pedestrian and predictable storyline. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. "It struck me years ago that this was my film to make, from both a chronological and proximity level — I was there, going into 3rd grade," Linklater said in a statement. There's no release date for the film just yet, but one thing's for sure: like his father before him, Brandon knows how to make the audience uncomfortable through visuals and color alone.

Richard Linklater (Dazed and Confused, A Scanner Darkly) is blasting off into outer space with his next feature, Apollo 10 1/2: A Space Age Adventure.

Possessor, the second feature from Canadian filmmaker Brandon Cronenberg, is a well crafted, but curiously unengaging psychological thriller.Although every scene of Cronenberg’s latest looks elegantly composed (even at its bloodiest) and the leads are well suited to the filmmaker’s icy stylistic choices, Possessor is a rather empty film to sit through. isn’t an intelligent film. Except every week in your inbox. is at its most openly grotesque and violent.

The COVID-19 pandemic has wreaked havoc on nearly every facet of normal life, but there is one area where the health crisis has proved wildly beneficial: video streaming.
"As she sinks deeper into her latest assignment Vos becomes trapped inside a mind that threatens to obliterate her," reads the official synopsis. One keeps waiting for any moments of genuine suspense or intrigue to arrive during, , but there are few to be found. Streaming figures will probably continue to increase for the foreseeable future, so long as platforms like Netflix, Disney+, and Hulu have exciting new shows and films to debut such as The Umbrella Academy Season 2 (July 31), Project Power (August 14), The Mandalorian Season 2 (October), and Helstrom (October). There’s balletic bloodletting, melting flesh, ominous skylines, great use of Toronto area locations (particularly the CBC building, here subbing for Colin’s workplace), musings on the ways technology has changed how we process humility and empathy, psychosexual deviations, frantically strobing montages, and colour coded lighting schemes. With Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Rossif Sutherland.

Now streaming on: Powered by JustWatch. Vos spends a couple of days in the minds of her avatars, subtly leaving a breadcrumb trail of evidence that will make any investigators see their eventual killings as open and shut cases. What it’s not, however, is entertaining or intellectually satisfying. The film’s anti-corporate stance is also a lot more subtle and well rounded than the one found in Cronenberg’s debut feature. Andrew Parker fell in love with film growing up across the street from a movie theatre. On paper, it sounds like an easy job, but Vos’ mental well-being has been growing increasingly erratic as of late, with the assassin pining to spend more time with her estranged ex-husband (Rossif Sutherland) and young son (Gage Graham-Arbuthnot). We respect your privacy and take protecting it seriously. In particular, Netflix nabbed 10 million new subscribers in the second quarter of 2020, blowing away early estimates of 7.5 million and setting a new Q2 record for the company. "In this film in particular, I would say that the violence is extremely narrative. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. For context, only 799 million minutes were streamed in the same time span in 2019.

Riseborough and Abbott – two of the most underrated talents working today – are exceptional when it comes to wrestling with loss of the mental and physical self, expertly understanding the tone Cronenberg is trying to achieve and delivering some solid dramatic bedrock for the writer-director to work with. Directed by Brandon Cronenberg. Oblivion's Andrea Riseborough stars as Tasya Vos, an elite corporate assassin who uses futuristic brain-implant technology to take over people's bodies in order to kill high-profile targets. Possessor is a film built on wonderfully captured images that doesn’t add up to much as a whole.

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