As they discuss Connie, Edward is stunned to find a snow globe he had given her, which Paul explains she had gifted to him. Ed runs his own trucking company; Connie does charitable fundraising which requires occasional commutes into … [5], Lyne asked director of photography Peter Biziou, with whom he made 9½ Weeks, to shoot Unfaithful. "[15] Entertainment Weekly critic Owen Gleiberman awarded the film an "A-" grade and praised Lane for delivering "the most urgent performance of her career", writing that she "is a revelation. Once on the set, they felt uncomfortable until several takes in. Noticing Connie readying herself with new shoes and lingerie, Edward asks her to meet him for lunch, but she says she has a salon appointment. Lane said that Lyne would often shoot a whole magazine of film, "so one take was as long as five takes. Cleaning up evidence, Edward hears Connie leave a message for Paul, saying she must end their affair. Taglines Edward calls the salon and confirms Connie was lying. "[3], Lyne cast Lane in the role of Constance after seeing her in the film, A Walk on the Moon. "[16] Roger Ebert of the Chicago Sun-Times wrote, "Instead of pumping up the plot with recycled manufactured thrills, it's content to contemplate two reasonably sane adults who get themselves into an almost insoluble dilemma. Described by director Adrian Lyne ("Fatal Attraction") as "an erotic thriller about the body language of guilt." She won awards for Best Actress from the National Society of Film Critics and New York Film Critics, and was nominated for a Golden Globe and an Academy Award for Best Actress. Sharing a meaningful look with Edward, she realizes he murdered Paul. [6], Initially, the story was set against snowy exteriors, but this idea was rejected early on. Critics and award voters were invited to both. | Although not looking for anything outside of her marriage, Connie finds that she can't stop thinking about Paul, and despite she looking for and receiving validation of the strength of her marriage to and from Edward, she and Paul embark on a passionate affair punctuated with light S&M, the affair about which she feels both constant excitement and guilt. [23], The studio campaign's theme consisted of what the studio called the film's "iconic scene": Constance recalling her first tryst with Paul as she takes a train home. One night, Edward stops at a red light with Charlie asleep in the backseat. "[20] In his review for The Washington Post, Stephen Hunter wrote, "In the end, Unfaithful leaves you dispirited and grumpy: All that money spent, all that talent wasted, all that time gone forever, and for what? Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. "[21] David Ansen, in his review for Newsweek, wrote, "Unfaithful shows what a powerful, sexy, smart filmmaker Lyne can be. [2] According to Biziou, "The texture it gives helps differentiate and separate various density levels of darkness farther back in frame". NYPD detectives arrive at the Sumner home, explaining that Paul's estranged wife has reported him missing.
Whether it's her initial half-distrustful tentativeness, her later sensual abandon or her never-ending ambivalence, Lane's Constance seems to be actually living the role in a way no one else matches, a way we can all connect to. [9] A full four weeks of the schedule was dedicated to the scenes in Paul's loft, which was located on the third floor of a six-story building located on Greene Street. If Edward does find out about Connie's affair, Paul who Connie had previously mentioned to him as the white knight who helped her during a crisis, the questions become what Edward will do, both about Paul and about his marriage to Connie, he who has implied through previous action with someone much less important in his life that loyalty is paramount to him, and what the consequences of any of his actions will be. [25], 2002 American erotic thriller film directed by Adrian Lyne, "Copycat? But she's sympathetic, and I think so many sexy women tend to be tough and hard at the same time. It's a shame he substitutes the mechanics of suspense for the real suspense of what goes on between a man and a woman, a husband and a wife. It gave Connie some justification for having an affair. Tormented by the knowledge, he confronts her lover, only to discover a level of rage within himself that he could never have imagined. Plot Keywords Unfaithful is a 2002 American thriller film directed and produced by Adrian Lyne and starring Richard Gere, Diane Lane, Olivier Martinez, Erik Per Sullivan, Chad Lowe, and Dominic Chianese. Bob, a builder who has been away on business, arrives home the following morning to … Lyne said, "I think it helps one understand how Connie might have leapt into this affair—he's very beguiling, doing even ordinary things."
As she burns the photographs of her and Paul, Edward says he will turn himself in, but Connie objects, saying they will find a way to move on, and they appear to return to a normal life together. "[22] Andrew Sarris, in his review for the New York Observer, wrote, "Ultimately Unfaithful is escapism in its purest form, and I am willing to experience it on that level, even though with all the unalloyed joy on display, there's almost no humor," and concluded that it was "one of the very few mainstream movies currently directed exclusively to grown-ups". Enter your location to see which "[14], CNN film critic Paul Tatara wrote, "The audience when I saw this one was chuckling at all the wrong times, and that's a bad sign when they're supposed to be having a collective heart attack. The Sumners' relationship was rewritten as a good marriage, with her affair the result of a chance meeting. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. He erases the message and later dumps Paul's body in a landfill but is plagued by memories of the murder. The film was remade in I… We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. Unfaithful grossed $52 million in North America and $119,137,784 worldwide. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: ‘Unhinged,’ ‘The Opening Act,’ Miranda July’s ‘Kajillionaire’ and More, This Week in Movie News: 2 ‘Fast & Furious’ Movies 2 Go After ‘F9,’ Joaquin Phoenix is Napoleon for Ridley Scott, R, She leaves despite their mutual attraction, but visits again, and they have sex. I loved the idea of the totally arbitrary nature of infidelity." However as she attempts to leave Paul's apartment, he manages to chase and capture Connie. Ed and Connie Sumner are a middle-aged couple with an 8-year old son and a nice big house in the suburbs. Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. They argue, and Edward says that he wanted to kill her instead of Paul. Looking for movie tickets? As she notices them caressing, Connie starts to get jealous and physically attacks Paul and the other woman. It's an ill movie that bloweth no man to good. A New York suburban couple's marriage goes dangerously awry when the wife indulges in an adulterous fling. Four days before the New York Film Critics Circle's vote, Lane was given a career tribute by the Film Society of Lincoln Center.
During the windstorm sequence where Connie first meets Paul, it rained and Lyne used the overcast weather conditions for the street scenes. "[7] Martinez was not comfortable with nudity. Connie whispers that they could leave the country and assume new identities, and Edward agrees, consoling her as she cries. She then tries to stop and push Paul away but is unsuccessful and they end up having quick but steamy and erotic makeup sex in the hallway of his apartment. In particular, he wanted Gere to gain 30 pounds and left donuts in the actor's trailer every morning. According to Tom Rothman, chairman of Fox Filmed Entertainment, "That scene captured the power of her performance. The film was remade in India under the title Murder (2004), starring Emraan Hashmi and Mallika Sherawat in a melodramatic manner.[1]. Biziou often used two cameras for the film's intimate scenes to reduce the number of takes that had to be shot.[6]. Lyne also thought the new ending "would be more interesting and provoke more discussion",[11] saying he intentionally "wanted to do a more ambiguous ending, which treats the audience much more intelligently". While shopping, Connie runs into stranger Paul Martel and scrapes her knees, accepting Paul's offer to treat her injuries at his Soho apartment.
"[4] Lyne also wanted Gere and Lane to gain weight in order to portray the comfort of a middle-age couple. By the end, you're physically and emotionally shattered. [24] Lane won the National Society of Film Critics, the New York Film Critics Circle awards and was nominated for a Golden Globe and an Academy Award for Best Actress. "[17] In the Los Angeles Times, the critic Kenneth Turan wrote, "The only performer who manages to get inside her character is Lane. [2] To prepare for the initial love scene between Paul and Constance, Lyne had the actors watch clips from Fatal Attraction, Five Easy Pieces, and Last Tango in Paris. Synopsis Ed and Connie Sumner are a middle-aged couple with an 8-year old son and a nice big house in the suburbs. Following negative reactions from test audiences, the studio reinstated the original ending;[8] a few weeks before the film was to open in theaters, Lyne asked Gere and Lane to return to Los Angeles for re-shoots of the ending. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites.
Both men opposed the change; Lyne in particular felt that the studio's suggestions would have robbed the film of any drama: "I wanted two people who were perfectly happy. They seem genuinely in love with each other even after 11 years of marriage. Despite mixed reviews overall, Lane received much praise for her performance. Synopsis Described by director Adrian Lyne ("Fatal Attraction") as "an erotic thriller about the body language of guilt." In a scene taking place in an office, the director pumped it full of smoke, an effect that "makes the colors less contrasty, more muted".
I fought that. | [5] According to Lyne, he had some debate with the 20th Century Fox officials, who wanted to "make the marriage gray, the sex bad. SEE DETAILS. "[18], Stephen Holden in The New York Times praised the "taut, economical screenplay" that "digs into its characters' marrow (and into the perfectly selected details of domestic life) without wasting a word. Synopsis Edward snaps and fractures Paul's skull with the snow globe, killing him instantly. According to Martinez, "The story that was invented before was much more sensual, erotic and clear.
Principal photography started on March 22, 2001 and wrapped on June 1, 2001 with Lyne shooting in continuity whenever possible. According to actor Gere, an early draft of the screenplay presented the Sumners as suffering from a dysfunctional sexual relationship. As Connie completes her grocery shopping errand, she drives to Paul's home to break off the bad news but notices him running off to the library with another woman.
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